After my three year hiatus from recording (92-95) I noticed that a lot of noise artists were doing special deluxe package releases. It seemed like every fuckin' release by Aube had like a dead fish attached to it or a pubic hair or a bag of sewage water or some such shit with deluxe printed sleeve, etc etc etc. I purposely made the cover of my "B12" cassette as shitty and amateurish-looking as possible and I fit four of them onto one sheet of paper so that at Kinko's each cover would end up costing me like 2.5 cents. I sent a copy of "B12" to Aube as a trade and told him here is my "anti-deluxe two and a half cent cover". He was not amused and told me he would not trade with me again. This is the same young upstart who had told me previously that I had been one of his influences from the 1980s. Hahahaha. Uppity bastard!
Originally released on cassette in 1995. "Hal McGee's first solo work since 1988. A self-described mix of post, pre, dis, un and de- constructed space noise and ambient industrial. If that's just enough to confuse you it's a perfect description for this excellent bout sonic assembly. McGee delivers fat, noisy, crashing barrages alongside analog ambient space pieces and makes it work. At times a seemingly haphazard piecing together of the master destroys whatever groove develops, but that's half the fun. I was impressed with the clean, solid recording -- this stuff really sounds huge. Certainly for braver souls up for the challenge but not inaccessible to those sneaking a peek. Go ahead, give it try." Reviewed by Bryan Baker in Gajoob, 2/18/1996.
another great album from Dylan Houser--soundtrack to an alternate reality or maybe a better version of our reality, or the reality that belongs with this soundtrack is better, anyway. Charles Kramer
Industrial music in the truest sense of the word, the latest from Tim Olive pairs factory-like drone with glitched-out computer sounds. Bandcamp New & Notable Jul 18, 2021